New York : Farrar Strauss & Giroux, 1993.
From the opening paragraph, it becomes apparent that this
book is different. Written in the rare first person plural, the book is told
from the perspective of a group of teenage boys obsessed with the memory of
five sisters, the Lisbons, who committed suicide and who, many years later,
they have not forgotten. Set in a dreamy, nostalgic version of the 1970s but released
in the 1990s (along with a career-making film adaptation by Sofia Coppola), the
book offers lots in the way of atmosphere and emotion, but little in the way of
answers.
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